Steinberg wavelab 8.5 tutorial mastering

#Steinberg wavelab 8.5 tutorial mastering full version#
#Steinberg wavelab 8.5 tutorial mastering full#
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The Edit tab for the Audio Montage automatically provides you with an appropriate context-based selection of tools. The toolbar ribbonвЂ™s control set changes dynamically as you switch between the Audio Editor (the Edit tab is shown here) and the Audio Montage (below). For example, the toolset displayed within the Edit tab changes if you move from an audio file editing task to an audio montage editing task, giving you access to just those controls relevant to that particular editing environment. Moreover, the contents of specific tabs also modify themselves to suit the job in hand. The ribbonвЂ™s tabbed subsets of tools provide one level of organisation, and the available tabs automatically adjust based upon what type of editing task is currently in focus: flip between an audio montage and an audio file, for example, and the selection of tabs changes appropriately. Here, the multi-tabbed ribbon makes finding the right tool from the extensive list very much easier.

#Steinberg wavelab 8.5 tutorial mastering windows#

Although the various Tool Windows displaying different meter options, markers, file browsers and so on can be configured to provide a wealth of information about your audio and current project, it is in the Audio Editor and Audio Montage environment where the core editing work gets done. However, the reason that the single-window approach works so well is partly down to the second new user-interface element: a context-sensitive ribbon and tab system that sits across the top of the main Audio Editor/Audio Montage sub-window.

The main Audio Editor/Audio Montage panel includes the new tabbed dynamic ribbon toolbar for easy access to WavelabвЂ™s huge array of editing tools. The Workspace concept, which plays a big part of in own workflow in Cubase, is also present and correct if you like to define different sub-window layouts for different types of audio editing tasks or different display configurations, itвЂ™s both easy to do and worth doing! You get comprehensive control over the placement and sizing of your various sub-windows within that single window and, if preferred, you can also float sub-windows, for instance if you are working with multiple monitors. First, Wavelab is now based upon a single-window concept. The redesign is built around two key elements.

#Steinberg wavelab 8.5 tutorial mastering pro#

Hey, Good LookingДЄlthough the aforementioned core functionality is both retained and expanded upon in Wavelab Pro 9 it will - initially, at least - present established users with something of a surprise, as one of the key changes in this release is a fairly substantial redesign of the user interface. Here, therefore, IвЂ™ll focus on whatвЂ™s new in v9.ДЄnd thatвЂ™s quite a long list, which includes a fairly substantial reworking of the user interface, some very tempting new options for audio mastering, intriguing new Mid/Sides processing capabilities and improved links between Wavelab and Cubase for those also involved in music production. So, while the visuals may have changed somewhat - of which more in a minute - core functionality remains the same.

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SOS has, of course, covered these features in detail in our reviews of previous major incarnations of the software including v8 and v7 (December 2010 this was when OS X support was added to the existing Windows support).

#Steinberg wavelab 8.5 tutorial mastering full#

Existing users will find that v9 still delivers the full range of audio editing functionality they have come to expect. Perhaps the first thing to say, therefore, is that all those features are still present and correct. Wavelab has, over the years, developed a pretty substantial feature set.

#Steinberg wavelab 8.5 tutorial mastering full version#

Wavelab 9 is now with us and, in line with the recent rebranding of SteinbergвЂ™s Cubase DAW package, the full version of v9 bears a вЂProвЂ™ label, while there is also a more streamlined version called Wavelab Elements 9. In August 2013 ( Martin Walker looked at, and was suitably impressed by, Wavelab 8. Its user base is a diverse one which includes musicians, audio professionals in radio, film and TV, mastering engineers, audio analysis and those involved in forensic audio. Over its 20-year history, Wavelab has become a well established and highly sophisticated environment for the creation, editing and conversion of audio in all its forms. Wavelab Pro 9 incorporates a significant redesign of the user interface that makes it highly customisable.ДЄ reinvention of WavelabвЂ™s user interface aims to make its powerful feature set easier to use.